A Safe World is Always Emptier
20, for The Martyr
Death burns his black dress in the track field
and walks home from the bus stop with me.
Naked and cold with a dull scythe on his shoulder
while he babbles to me about everything
that will happen on this day and that day and the other,
but not the day I will pass.
Southern Girl Sicko
Written for The Martyr. 20
I’m living in Virginia,
the beginning of the south,
the childstar of the confederacy.
I’m putting worms and swampwater into buckets
and dumping them on the heads of
northern boys who know mud as well as they know space.
I’ve mowed the king down with my horse,
his legs are morbid and twisted like L-shaped pipes
as he moans in the dark while I hop off the saddle.
My feet are bare and covered in gravel,
my dress is falling off my shoulders,
exposing a breast as I kick the ruler,
nothing but a man when his crown falls down the ravine.
He weeps harder as I remove my
spear from its sheath.
I step on his chest,
hundreds of pebbles covered in my dead skin,
scratching him through his shirt.
I hold the spear above my head
as if I am splitting a log.
I yell at the man I toppled over,
“Thus always to tyrants.”
Drooping, Wilting
Written for The Martyr. 20
It all ran down my face—
the cuts were vertical and
the drops of my embarrassed eyes
wetting themselves
hit the pavement heels first.
It stressed me out to not know
what I would become but knowing
I would transform and feel the searing pain
of new roots bursting out of my back,
having new blood that
came to be by swirling around my brain.
I was a girl turning on my axis
with a disturbance
from my revolution
that rivaled the smooth engineering
of Earth’s legs.
I was becoming a girl
who would feel ill forever—
the type of girl who
could only wipe at the throb
when it wept,
paint it in thick white cream when it
began to turn red
until I lost control and
clawed at my burning surface
until I broke the seal.
With the scrape of my bulldozing nails,
I began to feel something eternal.
I Remember Being a Girl
The Martyr. 20
Tender is Heaven’s flickering
mouthwarm light,
glowing unto my back.
Spilling with the shine
I am splattered everywhere;
an angel weft into wood floors,
mattress coils,
and leather.
Gore for Those Who Like to Visualize (The Martyr Version)
Originally written in high school but edited for The Martyr around age 20.
My eyes melt onto the frying pan.
Scrambled veins and toasted corneas.
My pupils boil over.
Cooking for my beautiful boyfriend
who reads the newspaper:
“Local Woman Dies in Bathtub.
Now isn’t that sad?”
I flip my eyeballs,
they are crisp on all sides,
“Yes, it is.”
—
Picking at my guts for dinner.
I wanted peas and mashed potatoes.
The red slime sounds like macaroni and cheese.
Pretending food is other food keeps me full.
A picky eater versus
an eater who picks at their food.
I eat to sustain,
if I must bite at your thighs,
I must.
—
When the frostbite turns skin black
and the exit wound leaks sweet southern molasses,
I awake.
The Bloodshed is Only Digital
Poem from The Martyr, written at 20.
I’m spinning,
but only w/ my eyes.
My entire side hits the ground
while my seeing
is all tossing itself up against the ceiling.
I’m going somewhere all from
right here.
I’ve gone to Guam before homeroom.
I can see the war
all from my couch
if I just stare at what
my mom is staring at.
Her fingers rub into my scalp
like she
is kneading out
the pure knowledge
of the bomb.